Ownership: a social media pilot project

In the introduction to our recent book A Section of Now: Social Norms and Rituals as Sites for Architectural Intervention, Giovanna Borasi reflects on how, under traditional capitalist societies, “home ownership was considered a significant life milestone that represented stability, a component of social order, and a means to build generational wealth. …Today, property is associated with unbridled speculation, class division, and social inequity” and “homes become embedded in global flows of financial capital.”

As we enter the final month of Catching Up With Life, the CCA’s year-long investigation into shifting societal norms and their implications on the built environment, we are launching Ownership, a social media pilot project, that explores how property relations are constructed through legal and bureaucratic mechanisms. While land dispossession and housing exclusion are urgent topics that design disciplines are confronting, the CCA challenges the institution of private property by investigating its records and devices. This research is presented through a novel format: at once a repository of documents, drawings, and ephemera, as well as a social media endeavour to engage with thinkers and designers who are conceiving of more equitable ownership models. Ownership critically examines how property rights have been defined, legitimized, and sustained and presents alternatives for the future.

“The layman, it is said, conceives of ownership as a relationship of a person to a thing, whilst the lawyer knows that proprietary interests are always concerned with relationships between persons as to the use or exploitation of things.” (1) How can we reconfigure these relationships, so that reciprocity with land, nature, and community become the rule instead? We begin by examining documents—laws, property surveys, deeds, ads—recognizing that within their paper-thin materiality they hold immense influence as tools of mediation and that as banal records of bureaucracy they are powerful technologies of the state and its agencies (2). Starting from objects in the CCA Collection, we reflect on the authority of such documents as products of design and on the conventions and boundaries they establish.

In line with our ongoing conversations about consumerism, obsessions, and digital omnipresence, Ownership will unfold through Are.na, a member-supported knowledge building platform. As a new venue for CCA curatorial work, we hope to open a different space of discourse and engagement with our content. By drawing connections between the CCA Collection and other historic archives, this mediatic study aims to recontextualize ephemera as a method for challenging the idea of private property as absolute. At the same time, we hope Ownership becomes a resource to contextualize contemporary resistance to unjust structures of enclosure, exclusion, and exploitation. Join us in this experiment to discover new readings of property and ownership. This project is curated by Irene Chin with Bipasha Sultana and Ismaël Mallé. 

What new models of access, occupation or property sharing do we find in the Montréal region? On 14 April, we invite you to the conversation Concerning the Property that Concerns Us, with the participation of diverse local initiatives including: Combo 2 générations, Entremise, FRAPRU, Le Village Urbain, Nomad co-living, SageTerre farm, and Vivacité. Register here, if you are around, or subscribe here, to keep in touch and hear from us, when we release the video.

(1) J.W. Harris, Property and Justice (Oxford: Oxford University Press, 1996), 119.
(2) Cornelia Vismann, Files: Law and Media Technology (Stanford: Stanford University Press, 2008); Ben Kafka, The Demon of Writing: Powers and Failures of Paperwork (New York: Zone Books, 2012).