Duane Linklater: mymothersside

The Frye Art Museum presents Duane Linklater: mymothersside, the artist’s first major survey exhibition, bringing together sculptures, video works, and digital prints on linen from the past decade of Linklater’s practice, as well as new adaptations of installations that he has continually revisited and revised. Linklater will also make modifications to the exhibition midway through its run, creating a presentation that embodies the fluidity and improvisation vital to his approach to art making.

Duane Linklater works across a range of mediums to address the contradictions of contemporary Indigenous life within—and beyond—settler systems of knowledge, representation, and value. Breaching the boundaries of the galleries, the exhibition spills out into the Museum’s courtyard and culminates in an architectural intervention that literally tears down the walls. These gestures serve to open the historically exclusionary construct of the museum to Indigenous content, including works in sculpture and video that focus on enduring ancestral practices such as hunting, berry gathering, and fur trading; digital translations of tribal objects held in institutional collections; and a series of large-scale structures made with tepee poles. With his draped and folded tepee cover paintings, Linklater transforms the semicircular canvas wrapping of the traditional Cree dwelling into a support for digitally printed imagery that he tints with natural dyes.

Appearing amid these culturally significant forms and materials, references to the artist’s family, childhood home, and favorite bands, films, and garments suggest an expansive constellation of identifications that defies reductive notions of identity. This refusal to be pinned down is an assertion of sovereignty and self-determination—a way for Linklater to counter ongoing processes of erasure, extraction, and dispossession that impede Indigenous people’s potential. Through art, he aims to create what he calls “a zone of non-interference,” a space of autonomy and agency, where that potential can manifest.

The exhibition is accompanied by a full-color catalogue designed by Purtill Family Business that tracks the artist’s wide-ranging references and intergenerational relationships, including conversations between Linklater and elder family members as well as photographs taken by his daughter.

Duane Linklater: mymothersside is organized by Amanda Donnan, Chief Curator. Generous support is provided by the Andy Warhol Foundation for the Visual Arts, ArtsFund, the Frye Foundation, and Frye Members.
 Media sponsorship is provided by Crosscut.

Artist bio
Duane Linklater (Omaskêko Cree, b. 1976, Treaty 9 territory, Canada) lives and works in North Bay, Ontario. Linklater earned a BFA in fine art and Native studies from the University of Alberta in 2005 and an MFA in film and video from the Milton Avery Graduate School of Arts at Bard College in 2012. He has presented solo exhibitions at the Eli and Edythe Broad Art Museum, Michigan State University, East Lansing (2017), 80WSE Gallery, New York, and Mercer Union, Toronto (2016), and the Utah Museum of Fine Arts, Salt Lake City (2015). Recently, Linklater’s work has been included in group exhibitions at, among others, Artists Space, New York (2019), the San Francisco Museum of Modern Art (2019), and the High Line, New York (2018). In 2011, Linklater initiated Wood Land School, a nomadic, collaborative project that centers Indigenous forms and ideas in the institutional spaces the school inhabits.

About the Frye Art Museum
Located in Seattle’s First Hill neighborhood since 1952, the Frye is the city’s only free art museum. The Founding Collection of primarily late-nineteenth and early-20th-century European art was gifted in perpetuity to the people of Seattle by prominent early-twentieth-century Seattle business leaders and art collectors Charles and Emma Frye. In addition, the Museum owns an extensive collection of artworks purchased or gifted to the Museum since its opening. Today, the Frye reflects Seattle’s evolving identity through exhibitions, programs, and community engagement, showcasing local and global artists who are exploring the issues of our time as well as contemporary scholarship on historical subject matter.