Uncertainty

Or how uncertainty forces us to dissolve our pre-established limits.

As we understand it, certainty is the undeniable and irrefutable knowledge of something. It defines finished realities with clear, recognizable borders. Certainty is what we feel about everything we have been taught and that we take for granted—everything that makes any kind of reflection or further study unnecessary. When defining our reality, certainty compels us to substitute the rational analysis processes with those based on memorization.

Uncertainty, as the antonym of certainty, appears as the opportunity to generate necessary thinking processes that respond to the realities of changing or unknown nature, those with limits that cannot be defined, or those which do not have any limits at all; therefore, influencing the nature of our certainties by eliminating their steadiness and forcing their evolution.

The so-called “new normality” demands from architecture the actions that will open the existing limits between predefined antagonisms and eventually break them permanently. Concepts closely conditioned by the economic and cultural factors must now merge and blur their borders. This way, they will become open, allowing the appearance of the indeterminate processes that our liquid society demands. Thus, we will gain the necessary tools to act against any new threats for the future of our coexistence.

The Spanish pavilion presents a selection of actions that hybridize and expand the competences of architecture to face new social demands. Uncertainty blurs imposed disciplinary and conceptual boundaries that have ended up becoming principles. It creates open concepts from realities previously perceived as antagonistic.

The exhibited works transform into a unique catalog of architectural strategies necessary to face the future of our coexistence and its implications, including the social and environmental levels; unravelling how social atomization—resulting from the variability of responses to the uncertainty that we all have experienced—does not eliminate the possibility of forming a group or a community, nor it pushes us into individualism. Hence, the pavilion’s central room becomes a volume made out of hundreds of heterogeneous individuals floating in space who, regardless of their physical and conceptual distance, interact to build a single and recognizable body. It becomes a set of different architectures that, like the entire profession, do not lose its ability to define a common path despite being constantly transformed by its interactions with unexpected external forces.

Uncertainty urges us to open our certainties, by focusing on exploring their limits and showcasing the actions that allow different dimensions of reality to become open, dynamic, and adaptable processual elements. It shows a future in which uncertainty, as a design strategy, has become the primary tool to transform our processes and social models, breaking individualism in favor of coexistence.

Is uncertainty our only certainty?

Curators: Domingo J. González, Andrzej Gwizdala, Fernando Herrera, Sofía Piñero

Experts: Atxu Amann, Manuel Blanco, Belén Butragueño, Manuel Feo, Marta García, Jorge Gorostiza, Mario Hidrobo, Francisco Leiva, María Isabel Navarro,  N’Undo, Juan Manuel Palerm, Gonzalo Pardo, Sergio Pardo, Javier Fco. Raposo, Ángela Ruiz, Mariasun Salgado and Pedro Torrijos

Collaborators: David Reyes, Julia Zasada, Melián Estudio, Banda Bisagra, Grace Morales, Lavernia & Cienfuegos

Commissioners: Ministerio de Transportes, Movilidad y Agenda Urbana; State Agency for International Development Cooperation (AECID); Acción Cultural Española (AC/E)

Press: Ariadna Cantis Comunicación, prensa [​at​] ariadnacantiscomunicacion.com