Hassan Hajjaj: My Rock Stars Experimental, Volume I
Nassiem Valamanesh: Distant Words
January 17–March 22, 2014
Amanda Dunsmore: David
January 17–April 5, 2014
Crawford Art Gallery
Emmet Place
Cork
Ireland
Hours: Monday–Saturday 10am–5pm,
Thursday 10–8pm, admission free
T+ 353 21 4805042
info [at] crawfordartgallery.ie
www.crawfordartgallery.ie
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Hassan Hajjaj: My Rock Stars Experimental, Volume I
Nassiem Valamanesh: Distant Words
Curated by Rose Issa
Crawford Art Gallery is delighted to present work by Hassan Hajjaj and Nassiem Valamanesh as part of its ongoing screening series by Irish and international artists. In a new departure, Crawford Art Gallery has invited Rose Issa, a leading expert on contemporary visual art and film from the Arab world and Iran to curate the exhibition. Both Hassan Hajjaj and Nassiem Valamanesh’s work explore the interface of living in and between merging cultures paradoxically highlighting alienation and embracing the differences.
Hassan Hajjaj‘s installation My Rock Stars Experimental, Volume I is simultaneously a haute-couture street experiment and a revival of African photography from the 1960s and ’70s, while celebrating present-day musicians, unsung artists and personal inspirations in the artist’s life. The film is part of a series of works which is an ongoing examination of belonging in an increasingly globalized society where boundaries of cultural identity—most notably African, Arabic and Western—are constantly changing. Hajjaj designs the costumes of the musicians and singers using traditional fabrics and found objects which he sources from local markets in his town of birth, Marrakech, and in doing so, bridges the gap between past and present cultures, creating pieces that seamlessly merge folkloric elements into Western contemporary art. Hassan Hajjajlives and works in London and Marrakesh. He has established an international following for his photography and video, and his work features in several prestigious public and private collections worldwide including the Victoria & Albert Museum, London; the Los Angeles Museum of Contemporary Art (LACMA), Los Angeles and Kamel Lazaar Foundation, Tunisia.
Nassiem Valamanesh‘s work lies between narrative filmmaking and video art and is sustained by bold imagery, soundscapes and a sense of humour mixed with a melancholy that reflects his unique worldview. Distant Words continues Valamanesh’s engagement with themes of longing and loneliness, not for a loved one or a place but for the ability to communicate and speak one’s mind. Valamanesh’s film combines animation, text and photography in which the artist conveys his isolation and frustration in his inability to speak the language when travelling through his father’s country, Iran. The film references the loss of language with a seemingly un-diagnosable medical condition and the sometimes gloomy existence of living between cultures. Valalmanesh’s films, including titles Little Noel Wants to Fly, My Beijing Friend, Side by Side and Distant Words have been screened widely at film festivals and in 2013 Valamanesh received an award from the Farhang Foundation’s 6th Annual Iranian Short Film Festival at LACMA.
For further information: www.roseissa.com
Hassan Hajjaj will talk about his practice alongside a performance by musician Simo Lagnawi, who is featured in Hajjaj’s film, on Thursday 20 March.
Amanda Dunsmore: David
In the Crawford Art Gallery’s dedicated screening room, David(2013) by Amanda Dunsmore depicts Senator David Norris, a leading Irish campaigner for gay rights, a humanist, a conservationist and Joycean scholar. Dunsmore’s silent film portrait situates Senator Norris sat composed, surrounded by books and the remnants of Joyce-related activities in the attic of the James Joyce Centre, Dublin. This unique portrait allows time for the audience to experience the person behind Senator Norris’s public personality. David was created as part of the Galway County Council Public Art Residency Programme—Artist in Residence with Galway’s Older LGBT Community. The aim of the residency was to connect with this group of people who have lived through dramatic changes in Irish society, and create a piece of work which will reflect their lives and experiences. The study of the subject’s stillness and silence reveals perhaps more about the LGBT community that he has advocated for.
The artworks of Amanda Dunsmore originate from specific social contexts and are presented using video, sound, performance, photography and installation. Past projects have reflected on acts of social preservation including the Northern Ireland Keeper (1998–2007) project. In Dunsmore’s Others Have Their Heads (2008–2013) series, she creates visual metaphors applicable to contemporary social/political issues but also allude to more personal and literal interpretations. She has shown extensively nationally and internationally and is currently based in County Clare.
For further information: www.lit.ie/Dunsmore
Crawford Screening Series will continue with:
Kennedy Browne
The Myth of the Many in the One (2012)
April 11–June 7
