Represent: 200 Years of African American Art
January 10–April 5, 2015
Philadelphia Museum of Art
Lynne and Harold Honickman Gallery and Muriel and Philip Berman Gallery
2600 Benjamin Franklin Parkway
Philadelphia, PA 19130
Hours: Tuesday–Sunday 10am–5pm,
Wednesday and Friday 10am–8:45pm
www.philamuseum.org
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The Philadelphia Museum of Art has organized an exhibition highlighting its substantial holdings of work by African American artists. Reflecting a broad range of stories, subjects, styles, mediums, and traditions, Represent: 200 Years of African American Art includes works by Horace Pippin, Jacob Lawrence, Alma Thomas, Martin Puryear, and Carrie Mae Weems, and many others. The presentation of this exhibition marks the publication of a new catalogue highlighting the Museum’s collection of African American art.
Timothy Rub, the Museum’s George D. Widener Director and CEO, stated: “In telling a story that spans two centuries, we recognize not only a great many important artists and their work, but also the dramatic shifts that have occurred in African American life during this period. Presenting these works together now, we are mindful of the many anniversaries of the civil rights movement and are thinking equally about the way race remains a key topic of conversation in the United States today—in politics, society, popular culture, and, of course, the arts. This is an important moment in which to explore the historic development and continuing growth of the Museum’s collections of African American art.”
Represent: 200 Years of African American Art includes works by more than 50 artists. It begins with rare examples of fine and decorative arts made by free and enslaved artists prior to the Civil War, including silhouettes made after 1802 by Moses Williams, who worked in Philadelphia at the museum of Charles Willson Peale, and a massive storage jar (with a Bible verse finely inscribed across the lip) by the South Carolina potter David Drake. Also included is Henry Ossawa Tanner’s landmark painting The Annunciation, which entered the Museum’s collection in 1899, the first work by an African American artist to be acquired by an American museum.
The exhibition places a strong emphasis on the modern era, when African Americans began to have greater access to artistic training and professional opportunities in this field. Artists such as William Henry Johnson, James VanDerZee, and Elizabeth Catlett embraced modernism in the early 20th century while sustaining a focus on aspects of African American life. Represent also includes a number of important works by self-taught artists such as William Edmondson and Bill Traylor.
Among the especially significant works in the exhibition are a group of abstract paintings and sculptures from the 1960s through the 1980s, most notably Barbara Chase-Riboud’s monumental Malcolm X #3. Many of these works represent the engagement of African American artists with broader stylistic movements. Numerous works from the past several decades directly confront issues pertaining to race and representation. This tendency is reflected in Glenn Ligon’s text painting Untitled (I’m Turning Into a Specter before Your Very Eyes and I’m Going to Haunt You) and Lorna Simpson’s C-Ration.
Represent: 200 Years of African American Art also ventures outside of the general narrative to present an array of portraits, historical as well as contemporary. Images of family, friends, and historical icons made by several generations of artists will be shown, from works by Philadelphia-based printmaker Dox Thrash and Samuel Joseph Brown, Jr., to Barkley L. Hendricks’s Miss T.
The exhibition will feature excerpts from recently recorded interviews with several of the livings artists represented in the exhibition.
Curators
Consulting Curator Dr. Gwendolyn DuBois Shaw, Associate Professor of American Art, University of Pennsylvania; Organizing Curator John Vick, Project Curatorial Assistant, Philadelphia Museum of Art.
Catalogue
This exhibition accompanies a major catalogue, co-published by the Philadelphia Museum of Art and Yale University Press.
Sponsorship
The exhibition is generously supported by The Pew Charitable Trusts, the Center for American Art at the Philadelphia Museum of Art, and The Kathleen C. and John J. F. Sherrerd Fund for Exhibitions, and PECO. The publication is supported by the Center for American Art at the Philadelphia Museum of Art, The Women’s Committee of the Philadelphia Museum of Art, Dr. Constance E. Clayton, Marguerite and Gerry Lenfest, Marion Stroud Swingle, and other generous individuals. The educational resources for students and teachers are supported by Iroko Pharmaceuticals, LLC.
The Martin Luther King Jr. Day of Service is generously supported by the Wyeth Foundation for American Art.
Promotional support is provided by The Philadelphia Tribune and WURD Radio.
Programs
A broad range of programs is scheduled, including gallery talks, school tours, family programs, and collaborative programming with local community groups, and a Friday evening dance party. Special related events include:
–An evening of spoken word and music with Nina “Lyrispect” Ball on Wednesday, January 28
–Artists’ roundtable on Sunday, February 1, with contemporary artists in the exhibition, moderated by noted scholar Dr. Gwendolyn DuBois Shaw, Associate Professor of American Art, University of Pennsylvania, who served as consulting curator and editor of the exhibition catalogue
–Performance by poet, vocalist, and scholar Tracie Morris on Wednesday, March 2
–Tours about slavery and freedom at the Museum’s Fairmount Park Historic Houses (see philamuseum.org)
Represent is a featured component of the Museum’s extended celebration of the annual Martin Luther King Jr. Day of Service. On Friday, January 16, musician Darryl Yokley will perform a new composition inspired by works in the exhibition, followed by a late-night dance party with DJ Rob Base. On Sunday, January 18, the Museum will offer family mini-tours, art making, and a performance by St. Thomas Gospel Choir. On Monday, January 19, a Martin Luther King Jr. Day of Service is planned, with performances by Danco2 and activities for visitors of all ages. For more information, visit www.philamuseum.org.
The full weekend of celebratory events and programs leading to the Day of Service is presented by PECO.
The Art After 5 Dance Party celebrating Represent: 200 Years of African American Art is supported by SugarHouse Casino and the Samuel and Deidre Patterson Foundation.
The Martin Luther King Jr. Day of Service is generously supported by the Wyeth Foundation for American Art.
Promotional support is provided by The Philadelphia Tribune and WURD Radio.
The Philadelphia Museum of Art is one of the largest museums in the United States, with a collection of more than 227,000 works of art. The Museum’s many galleries present painting, sculpture, works on paper, photography, decorative arts, textiles, and architectural settings from Asia, Europe, Latin America, and the United States. Its facilities include a landmark main building; the Ruth and Raymond G. Perelman Building; the Rodin Museum; and two historic houses in Fairmount Park, Mount Pleasant and Cedar Grove. The Museum offers a wide variety of activities for public audiences, including special exhibitions, programs for children and families, lectures, concerts, and films.
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T +1 215 684 7860. For general information, call T +1 215 763 8100 or visit philamuseum.org.
