Jonas Dahlberg

Jonas Dahlberg

Kunsthall Trondheim

Jonas Dahlberg, The Music Box (still), 2015. Courtesy Galerie Nordenhake.

January 22, 2015

Jonas Dahlberg
The Music Box

January 22– March 1, 2015

Opening: January 22, 7pm
Jonas Dahlberg in conversation with curator Helena Holmberg, 7:30pm

Kunsthall Trondheim
Dronningens gate 28
7011 Trondheim
Norway
Hours: Tuesday–Sunday 11am–4pm

www.kunsthalltrondheim.no

Kunsthall Trondheim is proud to present Jonas Dahlberg´s new film installation The Music Box, in what will be his first solo exhibition in Norway.

Jonas Dahlberg who has been active internationally for a long time and presented his work at a number of important institutions and biennales, became known for a wider Norwegian and international audience a year ago, when his proposal won the competition for the national 22 July memorial sites. Dahlberg’s work Memory Wound, which will commemorate the victims of the terror act on the Norwegian island Utøya in 2011, consists, in one part, of a wide cut through a small peninsula close to Utøya, and has been both celebrated and debated. Jonas Dahlberg has described the cut as a “poetic rupture or interruption,” aiming at a “sense of loss that will physically activate the site.” Although most clearly expressed in the memorial site work, this sense of an absolute loss which activatesor animates a space can also be said to be at the core of Jonas Dahlberg’s oeuvre in general. 

Being trained originally as an architect before migrating into art, Jonas Dahlberg has a deep interest in the spatial. Besides commissions for public art works, he has mainly worked with film and more often than not, the films have evolved around different spatialities. The narration is usually limited to a slow camera movement—the camera searches the place, not unlike a surveillance practise (another expressed interest)—with an almost disinterested gaze. Dahlberg’s rooms are empty except for a few objects, but filled with the kind of presence one expects to find in a space before or after the action takes place, a stage-like quality. Not surprisingly, Jonas Dahlbergcreated a set design for Verdi’s Macbeth at Grand Théâtre de Genève a couple of years back.  And in fact, his films, up until now, have all taken place in a kind of staged environment—immaculate built models which has added to the viewers experience of something being not quite right. A gap in the perception and an oscillation between the intensely present and the missing has given these rooms a double character of being unfamiliar and still almost a common experience, places we somehow recognize. 

For his new film, The Music Box, Jonas Dahlberg has chosen a different method. This time the room isa more limited and narrow space, and it’s not a model but the inside of an existing object, a music box. The music box was once a gift from the artist’s grandfather to his mother, and has been present in the family home. It’s a small toy, in which pins on a revolving cylinder creates sounds when struck against the teeth of a metal comb. It´s winded up with a key on the back—the image of the turning key measuring the limitations of time resembles the function of an hourglass. 

The main part of the installation is a film taking place inside the music box. In an advanced process the mechanism of the toy has been filmed in small sections with different focus points after which all takes have been integrated to one film and movement has then been created in the editing process. The film operates with a deep focus—all surfaces are in focus simultaneously—which creates a hyper-realistic imagery, a kind of image the human eye can’t produce or grasp. Somehow blinded by too much detail we are travelling inside the machine, its proportions and directions impossible to comprehend. Like contemporary cousins to the protagonist in Chaplin´s Modern Times we are lost in a cosmos we can’t overlook. 

The Music Box has been produced by Konstmuseet i Norr. We are grateful for the possibility to present the work in collaboration with the museum.

Jonas Dahlberg (b. 1970, Sweden) has, among other places, exhibited at Manifesta 4 (2002), Venice Biennale (2003), Bienal de São Paolo (2004), Modern Museum Stockholm (2005), Kunsthalle Wien (2008) and Kunstmuseum Bonn (2013). 

More information: contact curator Helena Holmberg: helena [​at​] kunsthalltrondheim.no / T +47 40640758

Kunsthall Trondheim is an initiative of the city of Trondheim and the county of Sør-Trøndelag.  Supported by the Art Council Norway.

Jonas Dahlberg at Kunsthall Trondheim
Advertisement
RSVP
RSVP for Jonas Dahlberg
Kunsthall Trondheim
January 22, 2015

Thank you for your RSVP.

Kunsthall Trondheim will be in touch.

Subscribe

e-flux announcements are emailed press releases for art exhibitions from all over the world.

Agenda delivers news from galleries, art spaces, and publications, while Criticism publishes reviews of exhibitions and books.

Architecture announcements cover current architecture and design projects, symposia, exhibitions, and publications from all over the world.

Film announcements are newsletters about screenings, film festivals, and exhibitions of moving image.

Education announces academic employment opportunities, calls for applications, symposia, publications, exhibitions, and educational programs.

Sign up to receive information about events organized by e-flux at e-flux Screening Room, Bar Laika, or elsewhere.

I have read e-flux’s privacy policy and agree that e-flux may send me announcements to the email address entered above and that my data will be processed for this purpose in accordance with e-flux’s privacy policy*

Thank you for your interest in e-flux. Check your inbox to confirm your subscription.