This two-part exhibition features selections from the Permanent Collection and a timeline reflecting the pioneering history of El Museo
April 11–September 29, 2019
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In celebration of its 50th anniversary, El Museo del Barrio will present Culture and the People: El Museo del Barrio, 1969–2019, a two-part exhibition featuring selections from the Permanent Collection and a timeline contextualizing the history of the institution with related archival materials. Curated by Susanna V. Temkin, El Museo’s Curator, and co-organized by Noel Valentin, El Museo’s Permanent Collection Manager, the exhibition will reflect on the institution’s activist origins and pioneering role as a cultural and educational organization dedicated to Latinx and Latin American art and culture.
Opening April 11, 2019, the first part of the exhibition is comprised of more than 120 artworks by nearly 80 artists from the collection, whose work offers a multitude of perspectives related to core aspects of El Museo del Barrio’s legacy. The exhibition borrows its title from an essay penned by one of the Museum’s founders and its first director Raphael Montañez Ortíz, who outlined his concept for the institution in a 1971 article published in Art in America.
In addition to the two part-exhibition Culture and the People, El Museo will initiate a cycle of exhibitions dedicated to the Museum’s Permanent Collection in 2020. The cycle will focus on specific works from the collection, including room-size installations and in-depth bodies of work, enabling El Museo’s curators to work directly with artists, scholars, and conservators to uncover new research and grant further public access to the Museum’s Permanent Collection.
Part I
April 11–September 29, 2019
Organized in thematic sections, Culture and the People features selections from the Permanent Collection that explores the legacy of El Museo del Barrio through the concepts of Roots, Resistance, and Resilience.
In Roots, artworks will be presented that address El Museo’s formation within the social and political context of 1969, and its relationship with the artists and local community of El Barrio (East Harlem). This section will also take a more expansive perspective to cultural roots, through works that reference colonial and indigenous ancestries.
In direct response to the Museum’s activist origins, the section devoted to Resistance includes artworks related to protest, gestures of solidarity, dictatorship, and exile. Created in homage to national heroes and fallen martyrs, as well as commemorating specific events, these pieces address historical political grievances and relate to contemporary events such as the ongoing border crisis.
The final section, Resilience, recognizes El Museo’s ongoing commitment to its mission. In this section, works related to the construction and expression of selfidentity will be displayed, alongside images that reflect a sometimes subversive or humorous method of survival. This section will culminate with a presentation of artworks that speak to personal and collective resilience, as well as the continuation of cultural traditions.
Each section will feature artists of diverse cultural backgrounds and generations, and will range from indigenous art and artifacts to contemporary paintings and installation art. A number of the pieces on view will relate to multiple sections, inviting audiences to recognize echoes and dialogues between the pieces on display. The exhibition will feature new acquisitions as well as artworks that have never been publicly presented, in addition to artworks familiar to El Museo audiences.
Part II
June 11–September 29, 2019
Complementing the Permanent Collection, El Museo del Barrio will open a second display tracing the historical and cultural trajectory of the institution since 1969.Expanding on previous research about El Museo’s institutional past, the presentation will reveal different moments in the Museum’s history as it relates to its leadership and staff, its various locations, and key exhibitions and programs throughout its first five decades. Archival documentation including photographs, posters, invitations, exhibition catalogues, and other ephemera will supplement a detailed timeline to further illustrate and contextualize critical moments in the museum’s history.