Chapter 4: Let it Die
July 8 – August 13, 2010
Opening:
Thursday, July 8, 6–9 PM
201 Chrystie Street, New York
An exhibition inspired by Richard Price’s novel of the same title
Featuring Sixty Artists in Nine Lower East Side Galleries, New York
Other participating galleries include: Collette Blanchard Gallery, Eleven Rivington, Invisible-Exports, On Stellar Rays, Salon 94, Scaramouche, Sue Scott Gallery, and Y Gallery. As part of the exhibition, work by Lehmann Maupin artist Mario Ybarra Jr. will be on view at Salon 94. For more information on LUSH LIFE visit www.lushlifeles.com
Lehmann Maupin announces its participation in LUSH LIFE, an exhibition curated by Franklin Evans and Omar Lopez-Chahoud and inspired by Richard Price’s 2008 novel of the same title. LUSH LIFE includes 60 artists, and nine Lower East Side galleries, including Lehmann Maupin. Each gallery will feature a sub-exhibition reflecting the idea of one of the nine chapters in the novel. Evans and Lopez-Chahoud selected one artist from each gallery and solicited additional artist recommendations from each of them to participate in the exhibition.
Lehmann Maupin will represent Chapter Four: Let it Die and will exhibit the work of Jackie Saccoccio, Jessica Dickinson, Matthew Weinstein, Dani Leventhal, Rashid Johnson, Claudia Weber, Jose Lerma, Kai Schiemenz, Iris Fluegel, Robert Beck, Robert Melee, Tommy Hartung, Nina Lola Bachhuber, Cynthia Lin and Amy Longenecker-Brown. Chapter four in Price’s novel addresses the attempt to ignore and let a story die, to allow for a neighborhood’s history to die, and to actively bury the past and the difficulty of finding a fairer answer/resolution to a complex situation.
Both Jackie Saccoccio and Jessica Dickinson offer works that through their process-based painting and drawing emphasize the physical layers of residue to a literal past. Saccoccio’s work looks to an earlier era (mid-century New York abstraction). Dani Leventhal’s blood/skinning drawings, Matthew Weinstein’s death-tracking skeletal hand and frisbee, and Rashid Johnson’s literal death reflection mirror present the subject as non-elusively and frontal.
Claudia Weber, Jose Lerma, Kai Schiemenz, Iris Fluegel, Nina Lola Bachhuber, and Amy Longenecker-Brown will be making work specific to the consideration of both history passing (its death) and the neighborhood in transition, both themes of Price’s novel. Robert Melee’s and Tommy Hartung’s sculptures challenge the ease to which a past can disappear and/or morph into a new form. Cynthia Lin’s larger-than-life distorted drawing of skin has an allusion to a possible lifeless state. While, Robert Beck’s site-specific shrine alludes to the shrine in the novel that emerges after the murder and erodes in a short week.
Collective Opening Reception
A collective opening of all participating galleries will take place on Thursday, July 8th from 6–9 pm, however, exhibition dates throughout June and July will vary for each gallery.
About the Novel
Price’s novel is set in the contemporary Lower East Side and, through a murder investigation, exposes the dynamically changing community of the neighborhood, which despite its evolution retains a ghostly and vital link to its layered past. The deep and varied history of the neighborhood now includes the Lower East Side galleries as new community members. The premise of community is reflected in the cooperative nature of the galleries’ and artists’ participation in the exhibition, which uses Price’s novel to critically consider concepts of neighborhood and change. LUSH LIFE will be the present for what will become a living ghost to the future form into which the Lower East Side will inevitably morph.
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Media Contacts:
Lehmann Maupin
Bethanie Brady
212 255 2923
Bethanie [at] lehmannmaupin.com
FITZ & CO
Dan Tanzilli
212-627-1455 ext 226
Dan [at] fitzandco.com
Image above:
Robert Melee, Phone, 2010
46 x 22 x 9, Enamel paint on fiberglass, imitation wood panel and wood
Courtesy of the Artist, Andrew Kreps Gallery and Lehmann Maupin Gallery, New York