New to agenda over the last few weeks are four reviews on the enticingly playful and performative works of Javier Téllez, Yorgos Sapountzis, Liam Gillick, Lawrence Weiner and Eli Hansen; by Ana Teixeira Pinto, Quinn Latimer, Christophe Van Gerrewey, and Joanna Fiduccia respectively. Keep an eye out for reviews coming soon: Paddy Johnson on Kai Althoff at Glastone, New York, April Lamm on Annika Eriksson and Olaf Nicolai at “Symphony” performance series by SOUNDFAIR at VW (VeneKlasen/Werner) in Berlin, Filipa Ramos on “Are you Glad to be in America?” at Massimo De Carlo, Milan, and Octavio Zaya on Elmgreen and Dragset at Helga de Alvear, Madrid.
Eli Hansen at The Company, LA
Joanna Fiduccia’s colorful chemistry lesson from Eli Hansen fizzles from big bang to toxic environmental warning at The Company, LA.
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Liam Gillick and Lawrence Weiner’s “A syntax of dependency:” at M HKA, Antwerp
Christophe Van Gerrewey steps up to the pitch, then walks to base at M HKA, Antwerp: smells like team spirit, Liam Gillick and Lawrence Weiner.
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Yorgos Sapountzis’s “Sculptures and Mirrors” at Freymond Guth Fine Arts, Zurich
Quinn Latimer fleshes out the recent exploits of “expert cowpoke” Yorgos Sapountzis playing court jester (or losing his marbles) in Zurich.
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Javier Téllez’s “O Rinoceronte de Dürer” at Arratia, Beer, Berlin
Ana Teixeira Pinto probes into the potency of big animals (“charismatic megafauna”) in the work of Javier Téllez at Arratia, Beer in Berlin.
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Agenda is available at: www.art-agenda.com/agenda.
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