Interruption; A Break in the
Continuity of the Interstitial Space

Interruption; A Break in the
Continuity of the Interstitial Space

Kohn Gallery

Bruce Conner, X CRIME SEPTEMBER 10, 1997, 1997.
Photocopy on bristol paper, ragboard, tacks, BEVA GEL,
glue on plywood, 41 1/8 x 16 1/2 inches.
July 13, 2012

Interruption; A Break in the
Continuity of the Interstitial Space

July 14–August 25, 2012

Opening: Saturday, July 14, 6–8pm

Michael Kohn Gallery
8071 Beverly Blvd.
Los Angeles, CA 90048

www.kohngallery.com

Bruce Conner, N. Dash, Lukas Geronimas, Wyatt Kahn, Owen Kydd, Andrea Longacre-White, Agnes Lux, Sam Moyer, Dan Shaw-Town, Gedi Sibony, Valeska Soares, Andrew Sutherland, Phil Wagner

Interruption is a meditation on looking at what was once mundane, but now essential.

Historically the roots of abstraction are embedded in Analytical Cubism, and from that an entire century of debate has grown—one which is still alive and well. That debate continues within the nuances of these various artists by addressing the liminal space between painting, sculpture, and the photographic. The idea itself is the transformation between comfort and confusion: a new subjectivity that signifies the questioning of “art objecthood,” a reaction to the issues of authorship, mechanization, technology, commoditization, consumerism, and the index. More specifically, artists are creating and addressing “imaginative perception,” a pictorial language that interrupts the pleasure and ease of looking by fragmenting the continuity of a basic serial structure.

That framework now becomes absent and interstitial space becomes the primary focus as it moves to the foreground. Looking at interstices creates an unpredictable hybridization through the crashing of space—the attacking, destroying, cutting, tearing, crashing, or secretly replacing the normal and habitual manner of perception.

For further inquiry please contact Laura Sumser at laura [​at​] kohngallery.com, and Lindsey Schiff-Abrams at lsa424 [​at​] gmail.com.

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July 13, 2012

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