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In the issue
A feature on the beginning of video art and the National Center for Experiments in Television by Kris Paulsen, double reviews of MOCA’s land art exhibition, Ends of the Earth, and dOCUMENTA (13), perspectives on LACMA’s In Wonderland, Zoe Leonard and Katie Patterson, and artist’s project by Lincoln Tobier.
Launch events
X-TRA presents Happy Hour screening
Santa Barbara Contemporary Art Forum, Santa Barbara
December 6, 5–7pm
X-TRA presents artist talk by Marcos Lutyens
and selections from National Center for Experiments in Television
Armory Center for the Arts, Pasadena
December 14, 7pm
Table of contents
Glenn Harcourt
Work–Site–World: Rethinking Michael Heizer through Ends of the Earth
Review: Ends of the Earth: Land Art to 1974, Museum of Contemporary Art, Los Angeles
Michael Heizer: Levitated Mass, Actual Size and Actual Size: Munich Rotary, Los Angeles County Museum of Art
Neha Choksi
On Starlight and Celestial Darkness: Human Vision and Cosmic Revision
Review: Zoe Leonard: Observation Point, Camden Arts Centre, London
Katie Paterson: 100 Billion Suns, Haunch of Venison, London
Benjamin Lord
Expanding Fields, Narrowing Paths
Review: Ends of the Earth: Land Art to 1974 Museum of Contemporary Art, Los Angeles
Michael Heizer: Actual Size, and Actual Size: Munich Rotary, Los Angeles County Museum of Art
Lincoln Tobier
Artist’s project: DOLOREM IPSUM: Pain Itself
Kris Paulsen
In the Beginning, There Was the Electron
Leslie Dick
Persistence of Vision: Some Thoughts on dOCUMENTA (13)
Melissa Ragain
It’s hard for me to be in the present sometimes
Review: dOCUMENTA (13) Kassel, Germany
Nhora Lucía Serrano
LACMA’s Gambit: In Wonderland‘s Surrealist Women
Review: In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States
Los Angeles County Museum of Art
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X-TRA is published by the nonprofit Project X Foundation for Art and Criticism, which is generously supported by The Andy Warhol Foundation for the Visual Arts, The Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission, City of Los Angeles Department of Cultural Affairs, Pasadena Arts Alliance, the National Endowment for the Arts, and our patrons and subscribers.
