A Tale: Max Pellegrini and Italo Cremona

A Tale: Max Pellegrini and Italo Cremona

Italian Cultural Institute of New York

Max Pellegrini, Vanity No. 1: the Prince’s Kiss, 2002–2009. Oil on canvas, 63 x 51 inches.
January 14, 2014

January 15–February 14, 2014

Opening: January 15, 6–8pm

Italian Cultural Institute of New York
686 Park Avenue
New York

www.iicnewyork.esteri.it

The Italian Cultural Institute of New York and the Pellegrini Legacy Trust are pleased to present A Tale: Max Pellegrini and Italo Cremona at the Italian Cultural Institute of New York.

Supported by Fondazione CRT and curated by Danilo Eccher, director of Galleria Civica d’Arte Moderna e Contemporanea Torino (GAM), this exhibition compares the work of artist Max Pellegrini (b. 1945) with that of artist Italo Cremona (1905–1979).

The two painters have much in common. Both come from Turin, a city that appears as a subject in many of their paintings, and both employ styles of figuration that generate dreamlike visions. Their work evokes associations with Surrealism while displaying strong influences from Italian literature and visual culture.

The exhibition will feature recent paintings by Pellegrini, most of them never seen publicly before. They show the evolution of his practice towards a delicate symbolism, in which he elegantly combines linear and chromatic styles. At the same time, the large canvases include renderings of objects that recur throughout his oeuvre, from psychedelia to protest, from the love of Renaissance art to Postmodernism. Alongside Pellegrini’s works will hang three paintings by Italo Cremona. His work highlights the figurative painting vocabulary of the Piedmont region of Italy, which combines elements of Art Nouveau, the abstraction of Felice Casorati, and the experimentation of the Gruppo dei Sei.

About the Italian Cultural Institute of New York
Founded in 1961 and located at 686 Park Avenue, the Italian Cultural Institute of New York is an office of the Italian government dedicated to the promotion of Italian language and culture in the United States through the organization of cultural events. Under the guidance of its trustees at the Ministry of Foreign Affairs, its advisory board, and its staff, the Italian Institute of Culture of New York honors this commitment by fostering cultural exchange between Italy and the United States in a variety of areas, from the arts to the humanities to science.

About the Pellegrini Legacy Trust
The Pellegrini Legacy Trust’s mission is to promote the work of Max Pellegrini and to support Italian art internationally. In addition to co-organizing the exhibition A Tale: Max Pellegrini and Italo Cremona, the Pellegrini Legacy Trust has co-published, together with Allemandi, a monograph focused on the work of Pellegrini, featuring essays by Jean Clair, Danilo Eccher, Antonio Monda, Maria Teresa Roberto, Gianni Vattimo, and Nicola Trezzi, who is also Artistic Advisor to the Board of Trustees. The Pellegrini Legacy Trust is part of the leadership committee for the exhibition Italian Futurism, 1909–1944: Reconstructing the Universe, curated by Vivien Greene, at the Solomon R. Guggenheim Museum, New York, from February 21 to September 1.

Media contact: pellegrinilegacytrust [​at​] gmail.com

 

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