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Wojciech Gilewicz
Cuboids

Wojciech Gilewicz
Cuboids

Cuchifritos Gallery + Project Space 

Wojciech Gilewicz, Cuboids (video stills), 2015. Video (HD). Courtesy of the artist.
October 13, 2015

Wojciech Gilewicz
Cuboids

October 23–November 29, 2015

Opening: Friday, October 23, 6–8pm

Cuchifritos Gallery + Project Space
120 Essex Street (located inside Essex Street Market)
New York, NY 10002
Hours: Tuesday–Sunday 12–6pm

T +212 420 9202
gallery [​at​] artistsallianceinc.org

www.artistsallianceinc.org
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Cuchifritos Gallery is pleased to present Cuboids, a solo exhibition by Polish-American artist Wojciech Gilewicz comprised of three eponymous spatial, painted objects and a video. This autonomous film narrative, combining painting and performative interventions, reminds of an early student film by Roman Polanski: Two Men and a Wardrobe (Dwaj ludzie z szafa) (1958).

As Ela Bittencourt writes, “…In Cuboids, Gilewicz stresses the repetitiveness in his own work. Frame after frame, we see him transport, discard and reinstall the cubes, emphasizing physical labor over the exaltation of an artist creating in a studio. And although Gilewicz as filmmaker is in complete control, as actor he struggles with the cubes’ unwieldy sizes and weights. In this sense, Cuboids is a situation comedy, which in its inventiveness and humor harks back to Gilewicz’ earlier works. And while the idea that art is a matter of social convention is not new, Cuboids dramatizes this notion in ways that are both deadly serious and seriously funny.”

In his work, Gilewicz touches upon the value of labor both artistic and physical, fulfillment as it relates to the production and over-production of art in a global economic slowdown, and the roles of critics and art institutions. His work ultimately reveals, in picturesque and even humoristic ways, the limits of artistic activities themselves and the part they play in a wider social environment. His DIY-like project shows how art and life are interwoven, and that art can still be done for the sheer pleasure of creation without any explicit plan or purpose.

According to Sara Reisman, “… Wojciech Gilewicz‘ practice is about expanding the scope of painting specifically and art generally into the realm of daily life, usually public and sometimes private…Gilewicz…questions the very nature of art, dismantling it from the rarified, official spaces of culture to a much wider field that leads to the discovery that life itself as art.”  Marco Antonini of New York-based NURTUREart wrote that “…Beyond fine art, Gilewicz’ projects can be considered a form of context-driven creative labor split between cultural criticism, institutional critique and genuine social involvement…”

This exhibition marks the New York premiere of Gilewicz’ Cuboids video and the fourth presentation of the artist’s three painterly objects (previously presented in New York in the framework of group exhibitions in ISCP Gallery in 2010, Queens Museum of Art in 2013, and Art Omi in Ghent, NY in 2014). They were also on public display in the front yard of the artist’s mother’s home in Arverne in the Rockaways, Queens (NY).

The exhibition is accompanied by a catalogue published on the occasion of Gilewicz’ solo show Rockaway at the Foksal Gallery in Warsaw, Poland (22 May–30 June 2015), with new critical pieces on Gilewicz’ video triptych—Cuboids, E22, and Rockaway—all of which were made in and around New York between 2001 and 2015. The three videos pay homage not only to Gilewicz’ creative origins as a painter, but also to the complexity and value of (artistic) work. They can also be read as a sort of Song for My Mother, paying homage to the artist’s immigrant mother, who appears in each video. The essay authors include independent film critic Ela Bittencourt (São Paulo), Sara Reisman from The Shelly and Donald Rubin Foundation (New York), and Todd Shalom of Elastic City (New York), with an introduction by independent scholar David A. Goldfarb (Honolulu).

This exhibition at Cuchifritos is the artist’s third solo show in the U.S., after Contemporary Art Museum Saint Louis (2008) and Flux Factory in New York (2012). Gilewicz’ most recent American group shows include Monitaur at Aspen Art Museum (2009) as well as In Practice (SculptureCenter, NY; 2009), Videorover (NURTUREart, NY; 2012), and Seven (The Boiler/Momenta Art, NY; 2014).

Curated by Bartek Remisko

Media inquiries
Jodi Waynberg: jodi [​at​] artistsallianceinc.org / T +212 420 9202

Cuchifritos Gallery + Project Space is a program of Artists Alliance Inc., a 501c3 not for profit organization located on the Lower East Side of New York City within the Clemente Soto Vélez Cultural and Educational Center. Cuchifritos is supported in part by the New York City Department of Cultural Affairs in partnership with the City Council. This program is made possible by public funds from the New York State Council on the Arts and the National Endowment for the Arts. We thank the following for their generous support: Marie and John Zimmerman Foundation, New York City Economic Development Corporation and individual supporters of Artists Alliance Inc. Special thanks go to our team of dedicated volunteers, without whom this program would not be possible.

Cuchifritos is free to the public and handicap accessible.

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