X-TRA
Volume 18, number 3
Spring 2016
The spring issue of X-TRA is here.
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Leslie Dick closely considers Sarah Charlesworth‘s series Stills (1980), and the permeable relationship between referent, image and the real in her work.
Reflecting on the passing of Chris Burden last year, Benjamin Lord reframes the oeuvre of the artist through his first and final works.
LA-based artist Katie Grinnan responds to Junk Dada, the recent retrospective of Noah Purifoy‘s oeuvre at LACMA.
Travis Diehl reviews Some Form of Life at the Santa Barbara Museum of Contemporary Art and considers digital subjecthood in the work of Constant Dullaart, Xavier Cha, Cécile B. Evans, Devin Kenny and Julien Prévieux.
In his feature article Jan Tumlir contemplates the work of Drew Heitzler in relation to “the epic.”
Matthew Schum reviews the 14th Istanbul Biennial and the relationship between the exhibition’s nebulous theme and it’s geographic location.
Bud Almond‘s graphic series continues in this third installment with Art Damaged: The Narrow Road to UHNWI.
The Arbor by Claire Nereim, the commissioned Artist’s Project, inhabits the inside of the front and back covers, and offers a new map of constellations in the Los Angeles night sky.
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X-TRA is published by the nonprofit Project X Foundation for Art & Criticism, which is generously supported by The Andy Warhol Foundation for the Visual Arts, the National Endowment for the Arts, Pasadena Art Alliance, 18th Street Arts Center, Isambard Kingdom Brunel Society of North America, Ueberroth Family Foundation, The Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission, City of Los Angeles Department of Cultural Affairs, Mike Kelley Foundation for the Arts, and our patrons and subscribers.
