Ingrid Burrington
Reconnaissance

Ingrid Burrington
Reconnaissance

NOME

Ingrid Burrington, Stennis Space Station (30.386088, -89.628402), 2015. Lenticular print, 100 x 100 cm.
September 12, 2016

September 17–November 11, 2016

Opening: September 16, 6pm

NOME 
Dolziger Straße 31
10247 Berlin
Hours: Tuesday–Saturday 3–7pm

info [​at​] nomeproject.com

www.nomeproject.com
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NOME Gallery is pleased to open Reconnaissance, Ingrid Burrington’s debut solo show, on September 16, 2016.

In Reconnaissance, artist and writer Ingrid Burrington explores the tension between the awe inspired by digitally captured aerial landscapes and “the imaginary objective truth of the God’s-eye view” (after Donna Haraway). The series of large-scale lenticular prints of data centers, military sites, and downlinks, suggests that while the scale and detail of satellite imagery is fascinating, no view is total or definitive.

Each print shows a single, politically relevant, location captured at two different points in time. As the viewer shifts from one side to the other, the composite nature of the image is revealed, and with this, ideas about how the maps we consult on our screens are manipulated and always changing.

The bird’s eye perspectives of Reconnaissance tap into histories of aerial views, from the panoramic inventions of the 19th century to Landsat imagery and Google Maps. As Burrington writes in her research notes: “The view from nowhere doesn’t emerge from nowhere… it’s the result of decades of aerospace and electrical engineering research and development.” What emerges is a doubling of the aesthetics of machine vision and the grounded infrastructures—where satellites are launched or data is stored and circulated—that enable it. 

Ingrid Burrington’s practice focuses on mapping, documenting, and identifying elements of network infrastructure, drawing attention to the often overlooked or occluded landscapes of the internet. She has been artist in residence at the Lower Manhattan Cultural Council, Eyebeam, the Center for Land Use Interpretation, and a fellow at Data & Society. She writes for San Francisco Art Quarterly, Creative Time Reports, The Nation, e-flux journal and The Atlantic. She is a member of Deep Lab, a collective of researchers, artists, writers and engineers that explores themes of control, power, technology and society.


NOME
Founded in 2015, NOME operates between art, politics, and technology.
By exploring the nodes of entanglements between these fields, NOME aims to raise critical awareness of the crucial issues facing our age.

For further information and sales inquiries, please contact Luca Barbeni or Manuela Benetton at info [​at​] nomeproject.com
For press and media inquiries, please contact Tabea Hamperl at press [​at​] nomeproject.com.
 
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September 12, 2016

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