November 1, 2017–January 14, 2018
Via Chiese, 2
20126 Milan
Italy
Hours: Thursday–Sunday 10:30am–8:30pm
T +39 02 6611 1573
info@hangarbicocca.org
From an exhibition idea originally conceived by Hans Ulrich Obrist and Christian Boltanski in 1995.
Curated by Christian Boltanski, Hans Ulrich Obrist, Chiara Parisi and Roberta Tenconi
With, among others, Aaajiao, Etel Adnan, Rosa Aiello, Giorgio Andreotta Calò, Micol Assaël, Gianfranco Baruchello, Christian Boltanski, Mohamed Bourouissa, James Lee Byars, Luis Camnitzer, Maurizio Cattelan, Ian Cheng and Rachel Rose, Heman Chong, Jeremy Deller, Patrizio Di Massimo, Hans-Peter Feldmann, Yona Friedman, Mario García Torres, Alberto Garutti, Gilbert & George, Félix González-Torres, Carsten Höller, Jonathan Horowitz, David Horvitz, Adelita Husni-Bey, Pierre Huyghe, Alex Israel, Koo Jeong A, Ugo La Pietra, Armin Linke, Gustav Metzger, Bruce Nauman, Otobong Nkanga, Yoko Ono, Luigi Ontani, Riccardo Paratore, Sondra Perry, Cesare Pietroiusti, point d’ironie, Ho Rui An, Anri Sala, Tino Sehgal, Daniel Spoerri, Wolfgang Tillmans, Rirkrit Tiravanija, Franco Vaccari, Francesco Vezzoli, and Lawrence Weiner
On Tuesday, October 31, 2017 Pirelli HangarBicocca presents Take Me (I’m Yours), a group exhibition that rewrites the rulebook for experiencing a work of art. Visitors are invited to flout convention and do all the things they aren’t normally allowed to do in a museum.
In Take Me (I’m Yours), works can be touched, used, or changed; they can be consumed or worn; purchased and even taken free of charge, or carried off in exchange for some personal item.
The exhibition, with a display conceived by artist and designer Martino Gamper, is also a project that continues to evolve and be transformed. At Take Me (I’m Yours), the public can not only take home one of the thousands of copies of each work—helping to physically empty out the space—but alter the appearance of the show by taking part in performances where the interaction may involve an experience rather than an object, in keeping with the notion of immateriality that increasingly pervades both art and everyday life.
Presented for the first time in 1995 at the Serpentine Gallery in London—and in varying iterations in Paris, Copenhagen, New York and Buenos Aires from 2015 on—the exhibition grew out of a series of conversations between curator Hans Ulrich Obrist and artist Christian Boltanski about the need to rethink how artworks are shown. Specifically, the project concept began with Quai de la Gare (1993), a Boltanski piece made up of piles of used clothing that visitors could pick out and carry off in a bag printed with the word “Dispersion”: a work innately destined to scatter and vanish.
In Milan, alongside Christian Boltanski’s Dispersion, the works of over 50 artists will be installed in the thousand-square-meter Shed at Pirelli HangarBicocca, also popping up outside the exhibition space with projects for the catalogue, bookshop, and web and with actions in the neighborhood. Take Me (I’m Yours), therefore, becomes a vast arena for imagining a more direct, engaging way to experience art, where the idea of giving and receiving helps us look at the broader social and historical picture of our time in a different light.
Public program
January 14, 2018
Talk with Hans Ulrich Obrist: A day of conversations and performances
Press enquiries:
Angiola Maria Gili
T +39 02644231229 / angiola.gili [at] hangarbicocca.org
Alessandro Cane
T +39 02644231232 / alessandro.cane [at] hangarbicocca.org
