Pacific Northwest College of Art
Hallie Ford School of Graduate Studies
511 NW Broadway
Portland, OR 97209
The Faculty of the MA in Critical Theory and Creative Research Program congratulate the 15 members of the Class of 2016:
Wendy Behrend
“Anamnesis in the Digital Age: Re-membering Eros and the Body”
Patrick Belin
“Envisioning Portland through Henri Lefebvre’s Right to the City”
Mikayla Carpenter
“The Digital Representation of Monumental Earthworks in the American West”
Chelsea Crossett
“Liminal Life: Self-Curation as Self-Care”
Jennifer duToit-Barrett
“House Arrest: A Study of Home Surveillance Technologies”
Alex George
“Cinema and Contempt: Decreation in the Contemporary Self”
Madeline Hall
“Is Radio a Right-Wing Medium?”
Jordan Hamilton
“Nietzsche’s Horse”
Jacob Heiny
“Antiphotography”
Alana Hippensteele
“Making Room: Explorations of Minimalism and the Self-Destructive Character”
Sarah O’Hare
“Responsible Romanticism and the Critique of Epistemic Comfort”
Isabelle Radoyce
“Towards a Social Theory of Immersion”
Jennifer Russell
“Dichtung: An Experiment in Kinetic Criticism”
Sarah Wise
“Biogrief in the Age of Terracide”
Andrew Woods
“The Aesthetics of Accelerationism”
About the MA in Critical Theory and Creative Research
The MA in Critical Theory and Creative Research (CT+CR), the first of its kind in the US, is an accelerated, 45-credit, seminar-based program (one year + summer intensive) that prepares students for opportunities at the intersection of art, theory, and research. Located in a major center of creative risk-taking and social experimentation, the program combines the study of critical theory as a mode of socio-political critique concerning human meaning and agency with creative research as a largely process-driven form of inquiry, forcing both theory and research in new directions within the context of a 21st century art school. Under the direction of Founding Co-Chairs Anne-Marie Oliver and Barry Sanders, the program is devoted to people and ideas and to a rethinking of the present and future of cultural production; of arts-based research and research-based arts; of curatorial practice, documentary, and the Archive; and of social and political reconfiguration in relation to major sites of contemporary contestation. See pnca.edu For more information, please contact the Chairs at [email protected] and [email protected].
