Advertisement

e-flux Architecture is an archive and editorial project founded in 2016. e-flux Architecture describes strains of critical discourse surrounding contemporary architecture, culture, and theory internationally.

Since its inception, e-flux Architecture has maintained a dynamic program of projects and events in collaboration with leading institutions and practitioners. Editorial content commissioned and published by e-flux Architecture consistently showcases rigorous, critical, sincere, and engaged work being produced today in and around the fields of architecture, urbanism, and design.

FAQ

What are e-flux Architecture announcements?

e-flux Architecture announcements are a direct e-mailing of text and image press releases to our growing database of art, architecture, urban and design professionals.

Who uses e-flux Architecture?

Leading architecture museums, offices, biennials, cultural centers, schools, publishers, and independent architectural practitioners worldwide.

Who reads e-flux Architecture?

e-flux is read by 70,000+ art, architecture, critical, curatorial, design, and spatial practitioners. In addition to its own, the e-flux Architecture mailing list is comprised of those from e-flux, e-flux Education, and e-flux Agenda.

What are e-flux Architecture's rates?

For current rates please contact us.

Editors
Nikolaus Hirsch
Anton Vidokle
Deputy Editor
Nick Axel

Editorial Assistant
Barrett White

Copyeditor
Novuyo Moyo

Announcements Curator
Sara Silva

Contact
architecture@e-flux.com

Read more
Read less
Subscribe
Essays
After Comfort: A User’s Guide
Georgina Baronian
The principle of highest and best use has roots in the neoclassical economics of the late nineteenth century. Its premise—that the value of any property must be determined by the use that would generate maximum financial return—is foundational to how American real estate has been assessed, bought, sold, and financed for more than a hundred years.
After Comfort: A User’s Guide
When the British botanist Joseph Paxton drew up the plans for the Crystal Palace in 1850, he was not merely seeking to apply his knowledge of horticultural greenhouses to the design of a building capable of housing the first of the world’s fairs.
Chronograms of Architecture
Wolff Architects
The chronogram develops through the figure of the garden. Not as an ornament, but a site of survival, relation, fugitivity, and cultural production.
Editors
Nikolaus Hirsch
Anton Vidokle
Deputy Editor
Nick Axel

Editorial Assistant
Barrett White

Copyeditor
Novuyo Moyo

Announcements Curator
Sara Silva

Contact
architecture@e-flux.com