What is it that a black feminist poethics makes available? What can it offer to the task of unthinking the world, of releasing it from the grips of the abstract forms of modern representation and the violent juridic and economic architectures they support? If it is a practice of imaging and thinking (with/in/for) the world, without separability, determinacy, and sequentiality, then it approaches reflection as a kind of study, or as the play of the imagination without the constraints of the understanding. And, if the task is unthinking this world with a view to its end—that is, decolonization, or the return of the total value expropriated from conquered lands and enslaved bodies—the practice would not aim at providing answers but, instead, would involve raising questions that both expose and undermine the Kantian forms of the subject, that is, the implicit and explicit positions of enunciation—in particular, the loci of decision or judgement or determination—this subject occupies.