In the later months of 1962 and the early months of 1963, elders of Yolŋu clans from the area known by the balanda (“white people”) as the Gove Peninsula in North East Arnhem Land came together to paint what became known as the Yirrkala Church Panels. Today, the panels and the stories that they show are revered more than ever. As a collective statement, they continue to resonate on multiple levels, from the local community outwards through several registers to, I suggest, a worldly scale. The entirely collective process through which they were produced models a collaborative form of indigenous and non-indigenous participation in the processes of reparation and reconciliation so essential to Australia’s national polity. Historical accuracy, moral accountability, restorative justice, and social unity were at stake, as they remain.