The golem myth becomes a sonic fiction, a retroactive engineering of dispossessed data rhythms that expose the systematic canceling-out of origin. As feedback circuits, logic gates, and automated hypothesis merge with Afro-diasporic flesh, codes become sensual matter that enter black musical sociality and proliferate underneath and across the global infrastructures of the master/slave modeling of command and control. The “futurhythmachine” tells us of the irreversible complicity of automation and dispossession reconfiguring the techno-cultural matrix of innovation and subjection in the operating systems of planetary capital. Golemology here offers not a withdrawal from orality, but rather advances through the alien frequencies of worlds otherwise, mingling and infecting the organic integrity of human language.