Issue #112 of e-flux journal is a special collaboration with TBA21–Academy, focused on the ocean as a living entity, an intersectional and intrinsically interconnected ecosystem of systems for coalitional imagination and collaborative inquiries. Our call in this issue of e-flux journal is simple. As the deck reshuffles, as our current forms of relation and isolation unravel, let’s keep this in mind: the entirety of the ocean. Not as a memory, but, like the mystic poets, let’s allow our senses to become ocean, so as to regain together a sense of all that is fundamental for our near times. It may be that oceanic feeling, and by extension the image of the ocean, are the best places to start rethinking the differentiation and order of hierarchies between human and nonhuman environments, and to elucidate to what point this differentiation is real, and to what point it is a construct. As we live through the cascading effect of a zoonotic disease, and as we see the images of the other inhabitants of our cities coming out to play now that so many are locked in, the need to answer here and now for our life on earth with others becomes clear.

While it would be wrong to think that when one says “ocean,” one is naming a “subject,” we might be so radical as to posit that to say “ocean” is, today, to say “art”—art without the burden of institutional life, without the ideological twists of cultural politics, art as a practice that belongs to artists, art facing the urgency of socializing with all who care about life. In other words, to say “ocean” is to replace the historical notion of the avant-garde with a code that is not determined by form and the invention of new gestures, but by an investigation of the substance of life, identifying this as the mission of art.

You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise. —Maya Angelou (1928–2014) 1. The Carriers and the Systems I am under the impression that when a woman reaches a certain position, all the privileges that this position has implied historically are already gone. It is very often the case that a woman’s arrival at a high level of influence within an organization is also an indicator of…

The octopus is the only animal that has a portion of its brain (three quarters, to be exact) located in its (eight) arms. Without a central nervous system, every arm “thinks” as well as “senses” the surrounding world with total autonomy, and yet, each arm is part of the animal. For us, art is what allows us to imagine this form of decentralized perception. It enables us to sense the world in ways beyond language. Art is the octopus in love. It transforms of our way of conceiving the social…