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              Julie Ault’s “afterlife”
              Pedro Neves Marques
              Dear Ted Kaczynski, It will soon be twenty years since you entered prison. I saw that you finally changed your occupation status to “prisoner” in the Harvard alumni magazine, and that you’ve listed your eight life sentences as “awards.” Controversial as always. Twenty years have done a lot to New York… Luddite that you are, you’d hate it right now. Hell, I’m sure you’d be up for bombing the whole place! The thing is, there are so many tech start-ups, services, and businesses nowadays you wouldn’t know where to begin… Julie Ault has a solo show at Galerie Buchholz’s new space uptown. I didn’t know that you had corresponded before, but in the show she says so, and who am I not to believe her? I’m sure you must have happened to discuss New York at some point. The city has always been a subject for her work—her life downtown in the 1980s, the artist’s collective Group Material. While Ault’s work has become more intimate, quieter, it’s definitely not mute. It’s just a different politics: of friendship, of details, her own affective archive. Ault’s archive has traveled some: to the Museum für Gegenwartskunst, Basel; Culturgest, Lisbon (both 2013); and the 2014 Whitney Biennial …
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