Affinities: Brian Dillon in conversation with Elvia Wilk

Affinities: Brian Dillon in conversation with Elvia Wilk

Affinities: Brian Dillon in conversation with Elvia Wilk
Publication launch

Free admission

Date
May 9, 2023, 7pm
e-flux
172 Classon Ave
Brooklyn, NY 11205
USA

On the occasion of the publication of Brian Dillon’s new book Affinities: On Art and Fascination (New York Review Books, 2023), join us at e-flux on Tuesday, May 9 at 7pm for a conversation between Dillon and writer Elvia Wilk.

In Affinities, Brian Dillon explores images and artists he is drawn to and analyzes the attraction. What does it mean to claim affinity with a picture? What do feelings of affinity imply about the experience of art and of the world? Affinities is a critical and personal study of a sensation that is not exactly taste, desire, or solidarity, but has aspects of all three. Approaching this subject via discrete examples, Dillon examines works by artists such as Dora Maar and Andy Warhol, Rinko Kawauchi and Susan Hiller, as well as scientific or vernacular images of sea creatures and migraine auras. Written as a series of linked essays, Affinities completes a trilogy, with Essayism and Suppose a Sentence, about the intimate and abstract pleasures of reading and looking.

For more information, contact program@e-flux.com.

Accessibility               
–Two flights of stairs lead up to the building’s front entrance at 172 Classon Avenue.    
–For elevator access, please RSVP to program@e-flux.com. The building has a freight elevator which leads into the e-flux office space. Entrance to the elevator is nearest to 180 Classon Ave (a garage door). We have a ramp for the steps within the space.             
–e-flux has an ADA-compliant bathroom. There are no steps between the event space and this bathroom.

Category
Aesthetics
Subject
Publications, Art Criticism

Brian Dillon was born in Dublin in 1969. His books include Essayism, The Great Explosion (shortlisted for the Ondaatje Prize), Objects in This Mirror, I Am Sitting in a Room, Sanctuary, Tormented Hope: Nine Hypochondriac Lives (shortlisted for the Wellcome Book Prize), and In the Dark Room, which won the Irish Book Award for nonfiction. His writing has appeared in The Guardian, The New York Times, London Review of Books, The Times Literary Supplement, Bookforum, frieze, and Artforum. He is the UK editor of Cabinet magazine and teaches creative writing at Queen Mary University of London.

Elvia Wilk is the author of the novel Oval and the essay collection Death by Landscape. Her essays, criticism, and fiction have appeared in publications including The New York Review of Books, The Nation, The Atlantic, n+1, The Paris Review online, Artforum, Bookforum, BOMB, Frieze, The Baffler, and The White Review. She received a 2019 Andy Warhol Arts Writers Grant and a 2020 fellowship at the Berggruen Institute, and she is a contributing editor at e-flux journal.

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