e-flux journal on feminism(s): Double issue launch with Martha Rosler, Xin Wang, McKenzie Wark, and Elvia Wilk

McKenzie Wark is the author, among other things, of A Hacker Manifesto (Harvard), Gamer Theory (Harvard), The Beach Beneath the Street (Verso) and Raving (Duke). She teaches at The New School in New York City. She edited the “trans | fem | aesthetics” issue of eflux journal and coedited the “Black Rave” issue, with madison moore.

Xin Wang is a curator and art historian based in New York. A PhD candidate at the Institute of Fine Arts, NYU, she is finishing a dissertation titled “Soviet Hauntology.” She curated “To Your Eternity,” the fourth art-and-technology themed biennial at Beijing’s Today Art Museum. She is an appointed faculty at Yale School of Art’s MFA program in photography and since June 2024 has served as Curatorial Director at Pace Gallery.

Elvia Wilk is a New York-based writer and a contributing editor at e-flux journal. Her first novel, Oval, was published in June 2019 by Soft Skull press. Her work can be found at www.elviapw.com.

Martha Rosler utilizes various media in her work, primarily video and photography, and also installation and sculpture; she also writes about art and culture. Her work has for decades considered matters of the public sphere and mass culture; war and geopolitical conflict; housing, urbanism, and the built environment, and systems of transportation—especially as these affect women. Many of her projects have been extrainstitutional or developed and enacted with groups of people. Rosler sees her work, her teaching, and her writing as continuations of a broader engagement with the currents of cultural critique and social and political change. Her work may best be summed up as both a conceptual art and an activist practice—focused on questions of representational form but joined, however uneasily, to a commitment to political agitation. Video, which she adopted in its infancy, presented itself as at the crossroads of both. Rosler spent the 1970s in California and Canada. In 1980, she returned to her native Brooklyn, where she lives and works.