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Ciprian /
8h
/
Brussels - Belgium

Let's say you're applying for a job and you're facing the dreaded 'cover letter'. In one tab of the Internet browser you have a list of job requirements/tasks and in the other you have an empty Google docs file. Now it's time to write the letter. But it has to be personalized to the job offer, in perfect English and it has to stand out from the 354 other letters. Also, you need to have a fairly good knowledge of the company that you're applying to. On top of that, there's one other obstacle: you hate writing.

This is where I come in. I am able to write creative texts that have a powerful impression on the reader. Furthermore, I can take a ready-made text and transform it to communicate its message more effectively, more persuasively, while being able to quickly research any subject and adapt my writing to the 'feel' of that subject.

I've written advertisements for TV, radio, print and online, college admission essays, cover letters, essays, poems and short stories. I even wrote creatively seducing text messages for some (anonymous) friends of mine to use on their night out. So, if you need somebody who breathes writing every day to take a look at your text, edit it, or create one from scratch, I'm your guy.

18. Feb. 2014
feldmangallery /
1h
/
Ronald Feldman Fine Arts

YISHAY GARBASZ

Ritual and Reality

February 15 – March 22, 2014

Ronald Feldman Fine Arts presents photographer Yishay Garbasz in her first major New York solo exhibition. Working across themes of memory, history, separation, and healing, Garbasz consistently captures both the pain of injury and the desire for reconciliation through her camera lens. Previous bodies of work exploring her mother’s survival of a Holocaust death march and Garbasz’s own personal journey with gender identity exemplify this dichotomy of pain and beauty. Physical location, and the inextricable link to the events that take place there, plays a large role in Garbasz’s interests. She focuses on places that have been forgotten or abandoned and where the physical signs of pain are obscured.

In Ritual and Reality, we join Garbasz on her journey through Japan’s Fukushima Prefecture, where on March 11, 2011, the Fukushima Daiichi nuclear power plant was hit by a tsunami triggered by the Tohoku earthquake. The resulting catastrophic failure has become the largest nuclear incident since the 1986 Chernobyl disaster. Garbasz’s investigation into Fukushima continues her life-long quest to explore and document spaces that have gone through a serious trauma.

Over the course of three weeks, donning protective gear and a Geiger counter, Garbasz travelled the Fukushima Prefecture, predominantly on foot, photographing the abandoned towns that have been taken back by nature because humans have rendered them uninhabitable. By walking and documenting the actual landscape of this disaster, Garbasz makes visible all that was lost. An area that was once home to a population of roughly two million has been turned into a collection of ghost towns by a disaster that was largely preventable. Years of corporate and governmental cronyism led to ineffective and toothless regulatory bodies incapable or unwilling to deal with the dangers staring directly at them. It’s no surprise that the clean-up effort has also been marred by disinformation, ineptitude, and corruption. Her eerily beautiful videos, photographs, and audio recordings of the Exclusion Zone echo with a sense of loneliness and pain. The videos, which should be filled with the sounds of children going to school and adults commuting to work, are permeated only by the sounds of rustling winds, the occasional meowing of a stray cat, and the incessant beeping of a Geiger counter alerting us to the danger that will linger for decades.

Also on display will be photographs depicting the “temporary” housing that evacuees must now call home, as well as a series of images from Tokyo, the world’s largest metropolitan area which lies but 150 miles south west of Fukushima. One of Garbasz’s goals for this project is to highlight the human disaster that is taking place in Japan alongside the environmental one. Through her work Garbasz exposes the cultural attitudes that allowed this disaster to occur in the wake of a highly predictable natural catastrophe. As she sees it, the Fukushima disaster is rooted in many facets of the Japanese culture, as well as common behaviors in the nuclear industry worldwide, and she believes that the healing process must begin deep within the society that allowed these events to transpire. No longer can people afford to take comfort in what Garbasz keenly identifies as the ritual of safety, but they must now face the very real dangers and obstacles before them. The old status quo of denial and quick fixes will no longer suffice. One only has to look at the landscape, and the large piles of leaking bags containing radioactive materials, to understand that.

A press kit with more information can be found at: http://bit.ly/1dSKNtF

***
Reception: Saturday, February 15, 6-8. Gallery hours are Tuesday - Saturday, 10-6. Monday by appointment. For more information, contact Varvara Mikushkina at (212) 226-3232 or varvara@feldmangallery.com.

14. Feb. 2014
bosicontemporary /
3h
/
BOSI CONTEMPORARY

Shony Rivnay
SOFT CORPS

Curated by: Kathy Battista

March 4 – April 5, 2014

Opening Reception: March 4, 6-9 pm

BOSI Contemporary is pleased to present Soft Corps a solo exhibition by Israeli artist Shony Rivnay. Combining sculpture, photography, video, and painting, the exhibition reveals a unique body of work that simultaneously embraces beauty and the post-apocalyptic.

Living in one of the world’s most contested regions, Rivnay confronts topics such as conflict and the transforming power of love and beauty. Rivnay’s ongoing fascination with brands and logos is reflected in all of his works and derives from a successful career in advertising, an industry he left in 2008. His exploration of graphic languages manifests itself most conspicuously in the presence of pattern—from William Morris florals to geometric carpet design—throughout his work for the past thirty years. A series of pop-inflicted missile heads and sumptuously hand-crafted missiles on display in the gallery create a dream-like poetic reality. Photographs and a video produced in Israel convey a sense of universal human pathos and question the premise of violence, in particular the manmade autonomous kind, as seen in contemporary warfare. The works serve as a reminder of the devastation brought about by decades of conflict and become silent pleas for peace and understanding across cultures.

Shony Rivnay holds a BFA degree in Fine Arts from the prestigious Bezalel Academy of Art and Design in Jerusalem, Israel. He has had solo shows at numerous locations such as Temp Art Space gallery, NY, curated by Tim Goossens; Hamburger Bannhoff Museum Campus, Berlin, an official collateral event with the Berlin Biennale 2012; and Tavi Dresdner Gallery in Tel Aviv, among others. His works have been presented in group shows around the globe in venues such as Youkobo Art Space, Tokyo; Artlife for the World Gallery, Venice, Italy; Florentin 45 Contemporary Art Space, Tel Aviv, Israel; and at the Tel Aviv Museum of Art, Israel, and more. This year Rivnay will present solo shows at the CCJ Museum in Sao Paulo and at Baro Gallery, Sao Paulo, Brazil, as well as at Anat Ebgi Gallery in Los Angeles. Rivnay lives and works in Tel Aviv, Israel.

Thanosjsmir /
2h
/
den haag

Hello timebakers!

My name is Thanos,
I have been living in Den Haag for some time now and my Dutch are really basic and I feel that now is the time to learn better this language. I had only the 1.1 Dutch course and I need someone to teach me some more useful Dutch and not only the very basic.
You can contact me through here with private message or reach me on my phone. 0687143137.
Regards
Thanos

07. Feb. 2014
videotage /
13h
/
Kwun Tong Ferry Pier

The ocean covers more than 70% of our planet, they are where all life comes from and are the future of our food, energy, transport, communication and security. But the oceans are dying : Overfishing, acidification, plastic pollution, radioactive leaks, oil spills… We need better, more reliable and affordable sailing robots. Japanese-French Inventor Cesar Harada will also introduce you to Protei, the Open Hardware Shape Shifting sailing robot, and more.

Come to learn, design and make your own sailing robot!
We will teach you the basics of maritime architecture, we help you design your own remote control boat, build and sail it in the water, all in one day!

1. Learn the basic of naval architecture
2. Design and build your own sailing robot!
3. Sail it in the Kwun Tong Ferry pier waters !

Date
16 FEB 2014 (SUN) 10am - 11pm

Details
https://www.facebook.com/events/615138761892851/

07. Feb. 2014
videotage /
2h
/
K11 art space (B207)

Videotage and K11 Art Foundation proudly co-present the DOTMOV Festival 2013 - Hong Kong Station. DOTMOV is a digital film festival organized by a Japanese online magazine "SHIFT", aiming to discover unknown talented creators and provide an opportunity to showcase their works. There were a total of 206 works from 18 countries this year, and the best 20 works selected by guest judges will be featured in this screening. This year's festival will take place in several cities in Japan and overseas from November 2013 throughout 2014.

Screening Date
20 FEB (THU) 8pm - 9:30pm

Online Reservation
http://goo.gl/sQnrXT

Details
http://goo.gl/7sukGK

04. Feb. 2014
Panamarenk /
40h
/
In Nederland

Ik zou me graag willen specialiseren in geënsceneerde fotografie. Heb talent, een camera, een netwerk.... Alleen mis ik net de technische kennis om dit echt goed te kunnen. Ik wil me heel graag in deze richting specialiseren, ben bepaald geen beginner, maar net niet goed genoeg onderlegd.

Aangezien het mij aan financiële middelen ontbreekt om mij via masterclasses verder te bekwamen, zou ik heel graag bij een aantal fotografen in de leer willen gaan. Wat betekent dat ik een bepaalde periode met je mee loop, mee naar opdrachten ga, je workflow bestudeer etc.

Ik ben een goeie creatief concepter. Als tegenprestatie geef ik graag de uren terug, in deze vorm. Ik kan je helpen bij het vormgeven en structureren en in de "markt" zetten van concepten, van jou zelf als ZZP'er, adviseren over gebruik van (soc.) media, schrijven communicatieplan etc. etc. Het spreekt voor zich dat je mij- als ik met je mee ga op locatie -kunt inzetten als assistent.

22. Jan. 2014
bosicontemporary /
3h
/
BOSI CONTEMPORARY

Marta Jovanović
REPUBLIKA

Curated by: Kathy Battista

January 29 – March 1, 2014

Opening Reception & Book Launch: February 5, 6-9 pm
Panel Discussion: 6:30-7:30 pm

BOSI Contemporary is pleased to announce Republika a solo exhibition by Serbia born performance artist Marta Jovanović. The exhibition will feature selected works created in the past four years and presented for the first time in the U.S. The show will be honoring Jovanović’s artist’s book “Performing the Self” written by Kathy Battista which will be launched in a special event and panel discussion at the gallery.

In her performances, videos, photographs, and installations Jovanović interrogates identity, beauty, and sexuality while revealing a personal history that embarks on her roots and memories. Appropriating the instantly recognizable characteristics of fashion mediums and art trends, the works expose the limitations of the traditional canon of beauty while drawing attention to the fluidity of gender. Curator and author Kathy Battista writes: “She is interested in the legacy of feminism, but she also has deep admiration for her male forebears. Are these contradictory stances? They should not be. For identity today is a shifting and transforming process, rather than a fixed state.”

Taking upon herself various guises such as an enthusiastic Yugoslavian pioneer in “Piornika” or as an alter ego of the famous poet Gabriele D'Annunzio in “Sèlysette”, Jovanović takes risks in performing a complex existence. Jovanović’s works are an invitation to disregard conventional notions of aesthetics and embrace a democratic vision of representation, free from all constraints.

Marta Jovanović (b. 1978, Belgrade, Serbia) is alumna of Tulane University (BA, 2001), Scoula Lorenzo de Medici (Florence, 1999-2000), AIM Program of the Bronx the Bronx Museum (2013) and EMERGENYC (Hemispheric Art institute, NYU, 2013). Her works have been presented in solo and group exhibitions around the globe, in institutions such as G12HUB, Belgrade; Location One, New York; Museo della Civiltà Romana, Rome; and Centre Culturel de Serbie, Paris, among many others. Jovanović is a winner of the Roma Capitale Award (2012) and participated at the Bronx Museum Biennial (2013) as well as the Venice Agendas at the 55th Venice Biennial. She lives and works in New York, Belgrade, and Rome.

The book “Performing the Self,” published in affiliation with The Martin E. Segal Theatre Center, CUNY, NY, will accompany the show and will be available for purchase at the gallery.

The exhibition is sponsored in part by DUGGAL VISUAL SOLUTION, NYC.

Betselot /
3 000h
/
(almost) Den Haag

I have free time since I submitted my thesis. I am male and English speaking person. I need to invest this time for my survival. I can assist on the following subjects:

- GIS and Hydrology course,

- Physics, Mathematics, Chemistry (in English) - at high school level

- Amharic language (Ethiopian) lesson.

Betselot /
1 000h
/
(almost) Den Haag

I have free time since I submitted my thesis. I am male and English speaking person. I need to invest this time for my survival. I can assist you on the following areas:

- during transferring new apartment,
- cleaning and gardening,
- house painting (less skill demanding),
- baby sitting,
- caring disables and old persons

Betselot /
1 000h
/
(almost) Den Haag

I have free time since I submitted my thesis. I am male and English speaking person. I need to invest this time for my survival. I can assist you on the following areas:

- During transferring new apartment,
- House cleaning and gardening,
- Re-arranging staffs at supermarkets,
- Agricultural field work,
- Simple wall paintings,

Louise2 /
1h
/
The Hague

Hi all! Are there any professionally trained pedi- and manicurists amongst you?
I could sure profit from one. In exchange, I can do anything
relating to texts, written and/or spoken. Thank you! Louise

InEnArt - Sense... /
1h
/
Istanbul

On the occasion of the 13th Istanbul Biennial and following the protests in Turkey InEnArt presents Urban Voices as a thematic independent project.

Urban Voices opens a critical view on cultural practices and phenomena that expresses the ethos, aspirations, and dreams of a specific population during a well-defined era and that triggered dramatic cultural changes.

Urban Voices is focussing on phenomena that are leaving a lasting impact on mainstream cultural values as the Situationist International did with the practices of drifting and détournemont which finally led to the student protests in 1968.

Within Urban Voice is Place Hacking the more recent challange form of 'drifting' exploring the indefinite urban environment and appropriating it as public space.

The protest culture in Turkey as described with the neologism Çapuling became as well a gobal cultural movement by integrating the unique nature of demonstrations.

Urban Voices shows the artistic reflection of the urban methaphorsis based on topics like culture, politics, social values, gentrification or commercialisation of the society as reflected and debated in the détournemont section.

The InEnArt team and its authors will regularly ad new posts, articels and comments to Urban Voices and will start with a critical debate about it.

11. Jan. 2014
bosicontemporary /
3h
/
BOSI CONTEMPORARY

January 15 – January25, 2014

Opening Reception: January 15, 2014, 6-9pm

BOSI Contemporary is pleased to announce Love in the 21st Century, an exhibition organized by the Estonian Lithography Center and in collaboration with the Consulate General of Estonia in New York, presenting unique lithographic prints created by eleven renowned Estonian contemporary artists: Kadri Alesmaa, Peeter Allik, Toomas Altnurme, Merike Estna, Kadri Kangilaski, Laurentsius, Marko Mäetamm, Mall Nukke, Reiu Tüür, Jaak Visnap, and Jasper Zoova.

The show will consist of eleven prints, each made specifically by the artists to create a “print portfolio.” These types of portfolios incorporate high-quality works and assume the function of popularizing art as well as stress its educational aspects. Graphics as an art form has always held a strong position in the Estonian context, and print portfolios are regarded as prestigious and independent art objects. By compiling such portfolios, the Estonian Lithography Center has taken on a demanding mission to keep the continuity, to find new forms of artistic communications, and to redefine and reposition graphic art. In these prints the artists remain true to the small-scaled format while experimenting and exploring new ideas and techniques in the democratic spirit graphic art is known for.

The first “Estonian Lithography” portfolio dates back to 2003, and has featured established as well as emerging Estonian artists such as, Lady Evi Tihemets and Marko Mäetamm. The current portfolio is the second one brought forth by the Estonian Lithography Centre, this time embracing a personalized interpretation of the theme: Love in the 21st Century. Love like life, is constantly changing. Love is not only the beauty-glorifying pure feeling between two people; love has countless forms and twists. The experience that every generation of people goes through is similar to that of all the previous generations, yet one thing is certain—each person must rediscover what billions before him already have.

This exciting portfolio became a small portable exhibition, a mobile art project, which had made its debut appearance at the 1st Baltic Biennale in St. Petersburg, Russia.

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