These images were submitted as a proposal as to the Bemis Centre USA. The modus operanti of this and related projects is to introduce as little as possible into an architectural space in order to heighten the perception and experience of ‘reality’. What are introduced are essentially Platonic solids, fundamental forms with identifiable precedents but devoid of overt narrative interpretation. These solids, the transition of natural light across them and within the space over a single day, are recorded in real time. These images are subsequently projected at full scale, on one or more screens, within the space (in which the original form remains) in real time that is out of sync with actual time. The observer/participant is immersed in a representation of the reality that she/he co-incidentally occupies. Reality and perception are interrogated